Think it’s a new thing, journalists being called enemies of the people? Read on

Two journalist heroes are featured in this week’s posts. One of them, literary sportswriter Frank Deford, died this week, and I’m not sure we’ll see his like again. Read the One Great Sentence below and see if you agree. And Washington Post reporter Dana Priest, who has won two P … | Continue reading


@niemanstoryboard.org | 7 years ago

5(ish) Questions: Dana Priest and the “terrorism industrial complex” post 9/11

As a college sophomore in 2005, I read Dana Priest’s report about “black sites” –far-flung secret prisons overseas that the CIA used to house terrorist suspects captured from the battlefields. One in Afghanistan, known as the “Salt Pit,” was a former brick factory. Others were fo … | Continue reading


@niemanstoryboard.org | 7 years ago

“He had gone into another room, to where the buffet was, after he had watched the 12 rounds when he was the heavyweight champeen of the world, back in that last indelible summer when America dared yet dream that it could run and hide from the world, when the handsomest boy loved the prettiest girl, when streetcars still clanged and fistfights were fun, and the smoke hung low when Maggie went off to Paradise.”

Frank Deford died this week, and I’m not sure sportswriters will see his like again. The beautiful rhythm of his language was some kind of wonderful. I love this bit from The New York Times obit of him: Ross Greenburg, then the president of HBO Sports, told The Los Angeles Times … | Continue reading


@niemanstoryboard.org | 7 years ago

5(ish) Questions: Phoebe Zerwick and “The Last Days of Darryl Hunt”

On her first weekend at The Winston-Salem Journal in 1987, Phoebe Zerwick’s new coworkers took her to a famous crime scene: the place where a man named Darryl Hunt had allegedly raped and murdered a woman three years earlier. If that seems odd, it wasn’t for this North Carolina c … | Continue reading


@niemanstoryboard.org | 7 years ago

A darkness runs through it: a journalist gunned down, a small town’s secrets

A darkness runs through this week’s post. Most disturbing is the interview with yet another Mexican journalist who was later gunned down for being brave enough to write about the vicious cartels there. And then in the One Great Sentence, French novelist/true crime journalist Cole … | Continue reading


@niemanstoryboard.org | 7 years ago

Notable Narrative: Ben Goldfarb and “The Deliciously Fishy Case Of The ‘Codfather'”

Ben Goldfarb has found a niche in fish. A freelancer based in New Haven, Conn., he regularly covers commercial fisheries and wildlife conservation for magazines such as Science and Boston Magazine. It’s a topic that can easily get too wonky for mainstream readers. So when he hear … | Continue reading


@niemanstoryboard.org | 7 years ago

“Did he kill? If he did kill, I would swear that it is with this meticulous, somewhat maniacal, admirably lucid care with which he classifies his notes, drafts his papers. Did he kill? Then it is while whistling a little tune, and wearing an apron for fear of stains.”

Why is it so great? I came across this stunning line (yes, it’s more than one sentence) in a piece in a literary journalism journal about the novelist Colette’s outings as a journalist covering “crime of the century”-type trials. Who knew? But she reveals the perception and imagi … | Continue reading


@niemanstoryboard.org | 7 years ago

The truth must be told: a conversation with slain Mexican journalist Javier Valdez

Earlier this month, Mexican President President Enrique Peña Nieto met with representatives from the Committee to Protect Journalists and pledged to make the security and protection of journalists a priority. Eleven days later,  Javier Valdez Cárdenas became the sixth journalist … | Continue reading


@niemanstoryboard.org | 7 years ago

A celebration of narrative journalism’s differences, and its singular strengths

This week we’re celebrating the things that make literary journalism different from news writing. A focus on felt detail. An embrace of emotion. An acceptance that the decisions made in the writing process make “the truth” subjective. And, finally, a recognition that in both narr … | Continue reading


@niemanstoryboard.org | 7 years ago

Fake news and true facts, and the licenses taken in pursuit of narrative

A decade or so ago, shortly after I became book editor of the Los Angeles Times, I wrote a piece defending the liberties of memoirists. This was in the wake of the scandal over James Frey and his memoir “A Million Little Pieces,” which was debunked after it was selected for Oprah … | Continue reading


@niemanstoryboard.org | 7 years ago

“This will happen so fast that one night he will be in the backyard, believing it a perfect place, and by the next night he will have changed and the yard as he imagined it will be gone, and this era of his life will be behind him forever.”

This famous piece by Susan Orlean is one of those stories where it’s hard to pick just one great sentence. You find one, and then another, and then another — a rabbit hole of great sentences. But this one resonates because it captures something universal about our childhoods, and … | Continue reading


@niemanstoryboard.org | 7 years ago

Feeling the facts: making the case for the sensory connection in literary journalism

If you wanted to do a word cloud of the literary journalism conference I just attended in Nova Scotia, the word “feel” might be the largest image. Then imagination. And memory. And voice. And trust. You’ll see above that I actually created something quite lovely with a word-cloud … | Continue reading


@niemanstoryboard.org | 7 years ago

Literary journalism gets some love, from “Hiroshima” to Shane Bauer’s prison exposé

I’m in Nova Scotia for a literary journalism conference (more on that in the coming days), and it’s been incredibly heartening to see such passion for the genre. I’ve heard wonderful discussions on everything from John Hersey’s “Hiroshima,” written 70 years ago, to Shane Bauer’s … | Continue reading


@niemanstoryboard.org | 7 years ago

The roadblocks, and the dangers, for investigative journalists in the Arab world

As the Arab Spring began to topple a wave of repressive governments six years ago, many members of the fledgling group Arab Reporters for Investigative Journalism thought things were finally going to get a little easier in a region where reporters who tried to dig beneath the sur … | Continue reading


@niemanstoryboard.org | 7 years ago

“There’s no room for hate in ice cream,” Dennis liked to remind himself.

Why is it great? We annotated this wonderful story last year, and the focus of the annotation was the rarity of humor in longform. This line makes me laugh even without the context of the story, which is about a war between rival ice-cream truck owners that gets pretty Gunfight a … | Continue reading


@niemanstoryboard.org | 7 years ago

5(ish) Questions: Josh O’Kane and “The Ballad of Fogarty Cove”

The word “lament” is a sadly beautiful thing, its layers and meanings distinct, yet entwined. In music, it is a song of loss, of missing someone or something that is no longer there. As a verb, it expresses grief, or regret. In both verb and song form, it has a keening feel to it … | Continue reading


@niemanstoryboard.org | 7 years ago

Let’s celebrate some newsroom heroes: from Gene Roberts to Latina journalists

This was a special week on Storyboard, because we shone a spotlight on some journalists who often don’t get the recognition they deserve. Latina journalists, a minority within a minority in the field, are doing some standout work, among them Michelle Garcia and Carolina Miranda. … | Continue reading


@niemanstoryboard.org | 7 years ago

“She was beautiful but when she tasted the water from the glass on her lectern she smiled sadly as if it were bitter for, in spite of her civil zeal, she had a taste for the melancholy – for the smell of orange rinds and wood smoke – that was extraordinary.”

Why is it great? When I moved back to New England last year after nearly a lifetime away, John Cheever’s debut novel about a quirky New England family was the first thing I read. This sentence, near the beginning, captured the character of the mother but also the book itself, whi … | Continue reading


@niemanstoryboard.org | 7 years ago

5(ish) Questions: Legendary editor Gene Roberts reflects on a lifetime in journalism

Filmmaker David Layton isn’t a stranger to the newsroom. Before he produced and directed documentaries, he was a newspaper reporter, so perhaps it’s not surprising that his next project, “The Newspaperman,” is a film about one of the 20th century’s most important, if often overlo … | Continue reading


@niemanstoryboard.org | 7 years ago

How Michelle Garcia told the story of Juárez, a city lost to violence, through its dogs

Numbers can tell a story, but they can also be relentlessly abstract. That was certainly the case for Ciudád Juárez, which over the course of four years faced a relentless wave of cartel violence. From 2008 to 2011, the Mexican border city offered a continuous, morbid count. 4: T … | Continue reading


@niemanstoryboard.org | 7 years ago

C.S. Lewis and Tolkien go to see “Snow White,” and D.H. Lawrence goes pulp fiction

Unlikely pairings seem to be a theme this week. Reporting a story under the influence of mind-altering drugs. C.S. Lewis and J.R.R. Tolkien going to see “Snow White” together. D.H. Lawrence given the pulp fiction treatment. But like the title of this week’s vinyl, “Damage and Joy … | Continue reading


@niemanstoryboard.org | 7 years ago

5(ish) Questions: Nathan Thornburgh talks mind-blowing drugs and Anthony Bourdain

Sitting across a dinner table in Mexico City back in 2012, Nathan Thornburgh and Matt Goulding hatched an idea. Thornburgh, a longtime foreign correspondent for Time magazine, and Goulding, a roving food freelancer who pioneered the bestselling “Eat This, Not That” series for The … | Continue reading


@niemanstoryboard.org | 7 years ago

“He sat in an old chair near a particle board pinned with the yellowed obituaries of steelworker friends who died too early, including Robert Plater. 60. Cancer. A paper target practice figure hung next to the obituaries. Its heart had been blown out.”

Why is it great? I promise this is the last you’ll see of Springsteen on this site for the foreseeable future. But I had somehow missed this story by one of my favorite writers (and former co-worker on the LA Times’ foreign desk), Jeff Fleishman,  who sent me the piece after read … | Continue reading


@niemanstoryboard.org | 7 years ago

The Boston Globe’s Malcolm Gay and a story of love, and art, lost to the Holocaust

Last year, Malcolm Gay, an arts reporter at The Boston Globe, stumbled across the seemingly impossible: an untold story about the Holocaust. It started with a call from Robert Berkowitz, a psychiatrist and amateur pianist from outside Boston. Since childhood, Berkowitz had heard … | Continue reading


@niemanstoryboard.org | 7 years ago

America and race: a disturbing undercurrent that runs through our past and present

The theme of America and race — and, unfortunately, hatred and even murder — runs through this week’s posts. The Osage Indians who were systematically killed for their oil in David Grann’s book. The white supremacists who wanted to claim a Montana town as their own. And, in a muc … | Continue reading


@niemanstoryboard.org | 7 years ago

5 Questions: Anne Helen Petersen and the white supremacists who came for Whitefish

Anne Helen Petersen has spent the last year covering Trump rallies and protests, the anti-Dakota Access Pipeline camp at Standing Rock, crowd-funded healthcare, survivalist “preppers” and what it means when famous men take off their shirts — just to name a few slices of her expan … | Continue reading


@niemanstoryboard.org | 7 years ago

“Barcantier, of Le Kremlin, who had jumped in the river, tried in vain to throttle, aided by his Great Dane, the meddler who was dragging him out.”

Why is it great? Félix Fénéon (1861-1944) was a clerk in the French War Office during World War I, a literary editor, art dealer, anarchist and journalist. While working for Le Matin in 1906, he wrote what came to be known as “Novels in Three Lines”: brief notices of local news e … | Continue reading


@niemanstoryboard.org | 7 years ago

5(ish) Questions: David Grann and “Killers of the Flower Moon”

Sometimes the idea for a book springs from what you don’t know. David Grann had never heard of the “Osage Murders” until a historian he was talking to mentioned the series of mysterious deaths among members of the wealthy Osage tribe in early 20th century Oklahoma. Grann, a staff … | Continue reading


@niemanstoryboard.org | 7 years ago

Haven’t read those Pulitzer winners yet? Here’s some great storytelling in this year’s batch

This week, journalists had their version of the Oscars (minus the red carpet and catty remarks about who-wore-what). The Pulitzer announcements are always an electric moment in a newsroom.  Back in the old days, we’d gather around one designated computer and wait for the AP bulle … | Continue reading


@niemanstoryboard.org | 7 years ago

Why’s This So Good? Hunter S. Thompson and “Fear and Loathing in Las Vegas”

It’s hard, I know, to make a case for gonzo journalism in an age when reality is beset by exaggeration, even lies. And yet I’ve found myself drawn back to the work of Hunter S. Thompson, who  had an uncanny ability to use hyperbole as journalistic strategy. “We were somewhere aro … | Continue reading


@niemanstoryboard.org | 7 years ago

“I go to sleep every night knowing I have the blood of so many on my hands and no amount of soap could ever wash these stains away.”

Why is it great? Chivers just won the Pulitzer Prize for Feature Writing for his magazine profile of Sam Siatta, a Marine suffering from PTSD. How did he make a story that has been told many times before so compelling? One reason is the heartbreaking use of the young man’s journa … | Continue reading


@niemanstoryboard.org | 7 years ago

Annotation Tuesday! Kent Russell and “They Burn Witches Here”

Some people are made for what they do. Steph Curry was made to play basketball. Dave Chappelle to deliver jokes. You get that feeling with Kent Russell and his writing. He makes the difficult appear effortless.  Don’t believe me? Why don’t you try making a 10,000-word story about … | Continue reading


@niemanstoryboard.org | 7 years ago

The politics of power: through Billie Holiday’s voice and an Iranian blogger’s words

This week has me thinking of the dynamics of power, racial and sexual, governmental and personal. An Iranian blogger who goes to prison for six years for his words. The wife of a famous (and famously philandering) writer who appears to subsume herself in that marriage while at th … | Continue reading


@niemanstoryboard.org | 7 years ago

5(ish) Questions: Iran’s “Blogfather” talks algorithms, hyperlinks and the lost art of communication

Six years is a long time to be away from cyberspace—especially when you’re known as the Blogfather. At one point, 20,000 visitors came to Iranian blogger Hossein Derakhshan’s site every day. Words, it turns out, mattered – too much, perhaps, for Iran’s repressive government. In 2 … | Continue reading


@niemanstoryboard.org | 7 years ago

“But then the not-knowing returns, and it keeps him awake at night.”

Why is it great? For the second week in a row, our One Great Sentence comes from a gifted journalist who has just left us. Last week, the writer was Jimmy Breslin, who died after a long and brilliant career; this week, it is Alex Tizon, the Pulitzer Prize-winning longform writer … | Continue reading


@niemanstoryboard.org | 7 years ago

The making of binge-worthy serial narratives, from “S-Town” to “Framed”

When Colin McNulty was developing a podcast about Oprah Winfrey, the producer for WBEZ Chicago found inspiration in an unlikely place: “House of Cards,” the Netflix series about a scheming Washington politician who eventually becomes president of the United States. It’s not that … | Continue reading


@niemanstoryboard.org | 7 years ago

A week where journalism, poetry, fiction and music converge = a dream week

Journalism, poetry, fiction and music all came together on Storyboard this week, so yes, call it a dream week for me. I love seeing how the same skills apply whether you’re a poet like Verandah Porche, a fiction writer like James M. Cain,  a songwriter like Bruce Springsteen or a … | Continue reading


@niemanstoryboard.org | 7 years ago

“She is the mother of two fatherless children and she was walking into the history of this country because she was showing everybody who felt old and helpless and without hope that she had this terrible strength that everybody needed so badly.”

Like a lot of people, last week I reread the story that made Jimmy Breslin famous. It has his greatest hallmark: writing about the little guy, in this case Clifton Pollard, who was paid $3.01 an hour to dig the grave of his assassinated president. But it is this line, about the p … | Continue reading


@niemanstoryboard.org | 7 years ago

In a divided land, Bruce Springsteen and the runaway American dream

“In the day we sweat it out in the streets of a runaway American dream.” — “Born to Run,” Bruce Springsteen, 1975. There’s trouble in the heartland these days over promises broken and hopes betrayed. Somewhere on that lonely stretch of highway between the boardwalk and the inters … | Continue reading


@niemanstoryboard.org | 7 years ago

The Power of Narrative conference: how the tools of poetry can help journalists

At last year’s Power of Narrative conference at Boston University, the poet Verandah Porche asked Gay Talese which women writers he admired. He couldn’t name one, and proceeded to make it worse by mansplaining about how women just “do not feel comfortable dealing with strangers.” … | Continue reading


@niemanstoryboard.org | 7 years ago

The oranges of John McPhee, on the page and on backyard trees

This week I left the snows of New England for a visit to my old stomping grounds in California. It was a bit head-spinning for a couple of reasons: When I left last year, California was in drought. Now it’s lush and green. And that green was a shock after the snow-covered country … | Continue reading


@niemanstoryboard.org | 7 years ago

5(ish) Questions: Rania Abouzeid and “The Jihad Next Door”

The first line of Rania Abouzeid’s story “The Jihad Next Door” could be the opener of a literary spy novel. “The eight men, beards trimmed, explosive belts fastened, pistols and grenades concealed in their clothing, waited until nightfall before stealing across the flat, porous I … | Continue reading


@niemanstoryboard.org | 7 years ago

“Henry Ford believed the soul of a person is located in the last breath and so captured the last breath of his best friend Thomas Edison in a test tube and kept it evermore.”

Why is it great? This line, from the poet Elizabeth Alexander’s beautiful memoir about the death of her husband, knocked me out on a couple levels. First, I had no idea that Henry Ford and Thomas Edison were best friends, and there’s something wonderful about the mere fact of thi … | Continue reading


@niemanstoryboard.org | 7 years ago

Annotation Tuesday! Rich Schapiro and “The True Story of the Fugitive Drug Smuggler Who Became an Environmental Hero”

Rich Schapiro is always searching. Whether he’s writing a quick-hit 800-word spot feature for the New York Daily News or a magazine feature that’s taken years to report, Schapiro is on the hunt for deeper meaning — a “character conflict,” as he calls it — behind every narrative. … | Continue reading


@niemanstoryboard.org | 7 years ago

The unexpected benefits of a springtime blizzard: reading a book by candlelight

A spring blizzard this week left me without power for 16 hours, and at first I felt unmoored because there was no heat, no light — and no Internet connection. It revealed how plugged in my life is.  But can I recommend reading a book by candlelight in front of the glow of a wood … | Continue reading


@niemanstoryboard.org | 7 years ago

Notable Narrative: Daniel Miller and the Los Angeles Times’ “Selling Stardom”

Daniel Miller’s coverage of the film business for the Los Angeles Times typically involves tracking the latest moves of the industry’s glitzy corporate behemoths. For … | Continue reading


@niemanstoryboard.org | 7 years ago

“This is a love story, and I apologize; it was inadvertent. But I want it clearly understood from the start that I don’t expect it to turn out well.”

Why is it great? Have you ever read a book and found it hard to get over a terrible first line? You want to move on, and the other 100,000 sentences in the book may be just fine, but that first line just … keeps … stopping you. This is not one of those first […] | Continue reading


@niemanstoryboard.org | 7 years ago

5(ish) Questions: Diarmid Mogg and the crazy-compelling “Small Town Noir”

Anna Mae McNeil stares past the camera, the smudge of an old bruise under her right eye. The words “New Castle, Pa., No. 220” are written in white ink below her face. It is Feb. 5, 1933, and Anna Mae has just shot and killed her husband. The photo is one of the latest mug […] | Continue reading


@niemanstoryboard.org | 7 years ago