An in-depth look at what's playing this month at the Chicago International Film Festival. | Continue reading
22 July is at its most engrossing and moving in its depiction of one brave kid, a victim of Breivik who was shot five times and lived, and that kid’s eventual resolve to face the terrorist in court. | Continue reading
The Happy Prince is painful to watch, but filled with insight, complexity and understanding. | Continue reading
As tough as the subject matter may get at times, the film is guaranteed to be an uplifting one for viewers of all ages. | Continue reading
A review of the first two episodes of Amazon's The Romanoffs. | Continue reading
An essay by Kate Horowitz about Crimson Peak, excerpted from online magazine Bright Wall/Dark Room's October issue. | Continue reading
A table of contents rounding up RogerEbert.com's coverage of the 2018 Reykjavík International Film Festival. | Continue reading
A report from the New York Film Festival on three international films. | Continue reading
A dispatch from the 2018 Reykjavík International Film Festival, featuring a review of Benedikt Erlingsson’s "Woman at War," coverage of the Jonas Mekas exhibition and an interview with "Phoenix" director Camilla Strøm Henriksen. | Continue reading
Far Flung Correspondent Seongyong Cho revisits John Carpenter's classic Halloween. | Continue reading
An interview with writer/director/star Ike Barinholtz about his timely comedy, The Oath. | Continue reading
A tribute to the late actor and Ebertfest favorite, Scott Wilson. | Continue reading
A dispatch from the New York Film Festival on two documentaries and two revivals of film noir classics. | Continue reading
A review of The Woman Who Fell to Earth, the first episode in a new season of Doctor Who starring Jodie Whittaker. | Continue reading
Moral of the story: Never go to a haunted foster home. | Continue reading
It may be a popular movie with arguably simple messages, but it delivers them in emotionally effective ways. | Continue reading
An interview with writer/director Tamara Jenkins about her new Netflix film, Private Life. | Continue reading
A dispatch from the 2018 Reykjavík International Film Festival, featuring reviews of Milko Lazarov’s "Ága" and Yann Gonzalez’s "Knife + Heart." | Continue reading
Studio 54 is at its best when detailing the history of the New York City clubbing scene. | Continue reading
A bittersweet and sharply observed film about a forty-something couple determined to have a baby. | Continue reading
Cruz is stunning in Vallejo’s exquisite couture ensembles and impeccable makeup. But like the film itself, they are just on the surface. | Continue reading
While there are a few elements of Paul Davis’ expansion of his short film that stand out as opposed to a lot of straight-to-video horror films, let’s just say that the producers of “Black Mirror” don’t have to worry about anyone stealing their annual Emmy any time soon. | Continue reading
Heavy Trip is a feel-good comedy about the members of a subculture that simultaneously embraces and pokes fun of its subjects. | Continue reading
It’s always nice when a movie with little to no buzz sneaks up on you like this one did for me. | Continue reading
Hardy applies that same intensity to the comic-book anti-hero origin story, Venom. And his fully committed performance is pretty much the only reason to see it. | Continue reading
The latest on Blu-ray and DVD, including Solo, Leave No Trace, and Three Identical Strangers. | Continue reading
A dispatch from the 2018 Reykjavík International Film Festival, featuring reviews of Christian Krönes and Florian Weigensamer’s "Welcome to Sodom," Marta Prus’ "Over the Limit" and Golden Egg contenders including Heui Son’s "Daughter's Table." | Continue reading
An interview with the director-star of The Happy Prince. | Continue reading
A review of the second season of Netflix's Big Mouth. | Continue reading
A dispatch from the 2018 Reykjavík International Film Festival, featuring reviews of Nicole Nielsen Horanyi’s "The Stranger" and László Nemes’ "Sunset," as well as a visit to the Icelandic Phallological Museum. | Continue reading
A look back at the horror and genre films that played last week's Fantastic Fest. | Continue reading
An interview with director and co-writer Sorrel Brae about A Film by Vera Vaughn, and a presentation of the short. | Continue reading
A dispatch from the 2018 Reykjavík International Film Festival, featuring reviews of Camilla Strøm Henriksen’s "Phoenix" and Wolfgang Fischer’s "Styx." | Continue reading
Part One is life, Part Two is art, but there's lots of overlap in each half, and the way the two mirror each other makes us think about our own lives in relation to the art we love, as well as Wang's movies themselves, mirrors that reflect us by drawing out our fears and dreams. | Continue reading
This is my favorite film of the year by far. | Continue reading
A look back at Brian Yuzna's Return of the Living Dead 3, as part of Scout Tafoya's monthly video essay series on maligned masterpieces. | Continue reading
A dispatch from the New York Film Festival on four films, including a short by Captain Marvel writer Nicole Perlman. | Continue reading
A dispatch from the 2018 Reykjavík International Film Festival covering Sergey Loznitsa's "Donbass" and a Swim-in-Cinema screening of Luc Besson's "The Fifth Element." | Continue reading
A preview of the 56th annual New York Film Festival. | Continue reading
Rescuing "The Other Side of the Wind"; Why Elaine May is a National Treasure; In praise of "Bull"; A decade of Lady Gaga; Why Saying "Me Too" Isn't Enough. | Continue reading
An interview with actor Jeffrey Wright about his work in the new Jeremy Saulnier film, Hold the Dark. | Continue reading
It's to the credit of Lee and his collaborators that Night School pitches a comedic tent big enough to contain something silly for everyone. | Continue reading
For devotees, the essence of the Little Women story remains, and, for newcomers, it is a sweet film that should inspire them to explore the book and the more traditional adaptations. | Continue reading
A pretty bad movie that makes a great case for more slashing at horror theme parks. | Continue reading
The thoughtfully assembled story of a young, opinionated and infinitely talented immigrant woman who sings her way through a life of irregularities to keep a promise she once made to her grandmother. | Continue reading
Far from feeling like a eulogy, the tone of 306 Hollywood is magnificently playful. | Continue reading