Marilyn the Poet

“Life— / I am of both your directions / Somehow remain hanging downward / the most / but strong as a cobweb” | Continue reading


@theparisreview.org | 1 year ago

Why Write?

“I’ve been collecting these theories of why writers write because so many writers have written about it.” | Continue reading


@theparisreview.org | 1 year ago

New Eyes

“I got a migraine on Friday, September 3rd, 2021, and another the following Sunday. Then: nothing.” | Continue reading


@theparisreview.org | 1 year ago

Barry Lopez’s Darkness and Light

Some days after Barry’s death on December 25, 2020, I pulled every book of his I owned from the shelves around my apartment and stacked them on a corner of my desk. Then I walked down the hill to the used bookshop in the small Oregon town where I live and found several books of [ … | Continue reading


@theparisreview.org | 1 year ago

Don DeLillo, the Art of Fiction No. 135

Don DeLillo, ca. 2011. Photograph by Thousandrobots A man who’s been called “the chief shaman of the paranoid school of American fiction” can be expected to act a little nervous.I met Don DeLillo for the first time in an Irish restaurant in Manhattan, for a … | Continue reading


@theparisreview.org | 1 year ago

Sheila Heti on Love and Delusion in Annie Hall

Zohar Atkins, Nathan Goldman, David Heti, Sheila Heti, and Noreen Khawaja discuss the joke at the end of Woody Allen's Annie Hall. | Continue reading


@theparisreview.org | 1 year ago

Robert Caro, the Art of Biography No. 5 (2016)

Since 1976, Robert Caro has devoted himself to The Years of Lyndon Johnson, a landmark study of the thirty-sixth president of the United States. The fifth and final volume, now underway, will presumably cover the 1964 election, the passage of the Voting Rights Act and the la … | Continue reading


@theparisreview.org | 1 year ago

How to Choose Your Perfume

"How could I become a better smeller?" | Continue reading


@theparisreview.org | 2 years ago

Billy Wilder: The Art of Screenwriting (1996)

 Billy Wilder, one of American cinema’s premiere writer-directors, has always maintained that movies are “authored,” and has always felt that much of a film’s direction ideally should take place in the writing. Like many of the medium’s great fi … | Continue reading


@theparisreview.org | 2 years ago

Cooking with Dorothy Sayers

Whip up a satirical murder menu from the first feminist detective novel. | Continue reading


@theparisreview.org | 2 years ago

The Left Hand of Darkness at Fifty

Packed with strange details and beautiful quirks, Ursula K. Le Guin’s novel allows us to imagine that our world could be different. | Continue reading


@theparisreview.org | 2 years ago

Ernest Hemingway, the Art of Fiction

 Ernest Hemingway, ca. 1939. Photograph by Lloyd ArnoldHEMINGWAYYou go to the races? INTERVIEWERYes, occasionally. HEMINGWAYThen you read the Racing Form ... There you have the true art of fiction. —Conversation in a Madrid cafe, May, 1954 Ern... | Continue reading


@theparisreview.org | 2 years ago

The Philosophical Game (1972)

Steinberg and George Plimpton discuss how the form of sports reflects on nationhood. | Continue reading


@theparisreview.org | 2 years ago

Conversation with an Aberdeen oil-rig worker

"What I really thought was that if people knew how difficult it was, no one would attempt it, that there must be a conspiracy of silence among authors, since this misconception that everyone had a book in them was so widely held," writes Tabitha Lasley. | Continue reading


@theparisreview.org | 2 years ago

The Philosophy of Fly-Fishing (2017)

    When I was seventeen, I drove to Missoula, Montana, to learn how to fly-fish. The town is one of the best places to fish in the country. Rivers with names like the Bitterroot and Blackfoot crisscross the valley harboring trout the size of walruses. I spent that summer learnin … | Continue reading


@theparisreview.org | 2 years ago

Ensnaring Sebald

"Writers don’t want biographers, and I know Sebald wouldn’t want me." | Continue reading


@theparisreview.org | 2 years ago

The Silver Age of Essays

In Phillip Lopate’s introduction to ‘The Contemporary American Essay,’ he describes the form as one “uniquely amenable to the processing of uncertainty.” | Continue reading


@theparisreview.org | 2 years ago

A Literature on the Brink of Dawn

The only evidence that Pessoa actually read ‘Ulysses,’ or enough of it to know that he wanted to read no more, is the laconic commentary he scribbled, in Portuguese, on a scrap of paper. | Continue reading


@theparisreview.org | 2 years ago

A Kind of Packaged Aging Process

Jan Morris boards a Mediterranean cruise and discovers the geriatric passengers are more lively than expected. | Continue reading


@theparisreview.org | 2 years ago

Strawberry Moon

The moon was born four and a half billion years ago. It’s been goddess, god, sister, bridge, vessel, mother, lover, other. | Continue reading


@theparisreview.org | 2 years ago

The Amateur Photographers of Midcentury São Paulo

A new show at the Museum of Modern Art showcases the work of Foto-Cine Clube Bandeirante, an influential group of photographers in midcentury São Paulo. | Continue reading


@theparisreview.org | 2 years ago

Vladimir Nabokov, the Art of Fiction

Vladimir Nabokov lives with his wife Véra in the Montreux Palace Hotel in Montreux, Switzerland, a resort city on Lake Geneva which was a favorite of Russian aristocrats of the last century. They dwell in a connected series of hotel rooms that, like their houses and apartm … | Continue reading


@theparisreview.org | 2 years ago

Our Thing: An Interview with Paul Beatty (2015)

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@theparisreview.org | 2 years ago

His

In an excerpt from Pardis Mahdavi’s book ‘Hyphen,’ the debate over New-York’s historical hyphen becomes a grammatical battle with vast social implications. | Continue reading


@theparisreview.org | 2 years ago

America’s Dead Souls

Shortly after I picked up ‘Dead Souls,’ my mother died a gruesome, absurd death, and I quickly found that Gogol’s surrealism was not so surreal after all. | Continue reading


@theparisreview.org | 2 years ago

The Travels of a Master Storyteller

Hanna Diyab, the man responsible for “Aladdin,” remained obscure until the discovery of his memoir, which appears today in English for the first time. | Continue reading


@theparisreview.org | 2 years ago

At Home Among the Birds: An Interview with Jonathan Meiburg

Jonathan Meiburg on biodiversity, the striated caracara, and the similarities between playing music and paying close attention to birds. | Continue reading


@theparisreview.org | 2 years ago

Oscar Wilde's play about Russian nihilists (2017)

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@theparisreview.org | 3 years ago

Reading in the Age of Constant Distraction (2019)

Twenty-five years ago, Sven Birkerts published “The Gutenberg Elegies: The Fate of Reading in an Electronic Age.” Have his fears and projections come to pass? | Continue reading


@theparisreview.org | 3 years ago

On Unread Books (2017)

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@theparisreview.org | 3 years ago

In Praise of the Flâneur (2013)

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@theparisreview.org | 3 years ago

Italo Calvino, The Art of Fiction No. 130 (1992)

 Upon hearing of Italo Calvino’s death in September of 1985, John Updike commented, “Calvino was a genial as well as brilliant writer. He took fiction into new places where it had never been before, and back into the fabulous and ancient sources of narrative.&rdq … | Continue reading


@theparisreview.org | 3 years ago

The Art of the Cover Letter

The muses don’t sing to cover letter writers. | Continue reading


@theparisreview.org | 3 years ago

The Libraries of My Life (2020)

My library is a response to the void of my parents’ house: there are traces of all the public libraries I’ve visited since childhood. | Continue reading


@theparisreview.org | 3 years ago

The Year of Grinding Teeth

Whatever else living in unprecedented times does to us, it leaves traces behind in our bodies, even if we never fell ill. | Continue reading


@theparisreview.org | 3 years ago

Why Do We Keep Reading the Great Gatsby?

‘The Great Gatsby’ is not a book about people, per se. Secretly, it’s a novel of ideas. | Continue reading


@theparisreview.org | 3 years ago

What We Know of Sappho

We know nothing. Not much, at any rate. In total, all the poems and fragments that have reached us add up to no more than six hundred lines. | Continue reading


@theparisreview.org | 3 years ago

The Cold Blood of Iceland

Weather, a natural force magnified by island circumstance, is the cold blood of Iceland. Weather with its amoral, wanton violence is lethal here. | Continue reading


@theparisreview.org | 3 years ago

Verdigris: The Color of Oxidation, Statues, and Impermanence

Verdigris was such a beautiful color, it was hard for painters to resist, even when they knew it would render their works mortal. | Continue reading


@theparisreview.org | 3 years ago

Jan

Jan Morris was born James Humphrey Morris on October 2, 1926, in Somerset, England. As she recalled in her memoir, Conundrum, “I was three or four when I realized that I had been born into the wrong body, and should really be a girl.” First intimations. But she wou … | Continue reading


@theparisreview.org | 3 years ago

The Unicorn Tapestries

How one museum guard at the Cloisters may have uncovered a truth about the Unicorn Tapestries no one else had seen. | Continue reading


@theparisreview.org | 3 years ago

We Are Built to Forget

We are designed, scientists realized, not only to remember, but also to forget. The first of the neurotransmitters discovered was named anandamide, Sanskrit for bliss. | Continue reading


@theparisreview.org | 3 years ago

Kurt Vonnegut, The Art of Fiction No. 64 (1977)

Kurt Vonnegut, ca. 1972. Photograph by PBS This interview with Kurt Vonnegut was originally a composite of four interviews done with the author over the past decade. The composite has gone through an extensive working over by the subject himself, who looks upon his own spoke … | Continue reading


@theparisreview.org | 3 years ago

Horror Transformed Comics

Grant Geissman chronicles the origins of EC Comics’s horror titles, including the gruesome, bone-chilling ‘Tales from the Crypt.’ | Continue reading


@theparisreview.org | 3 years ago

The Ghosts of Newspaper Row

Amid recent renovations on Park Row, construction workers discovered artifacts of news reporters inside the walls—papers and typewriters. Who knows what ghosts might lurk there still? | Continue reading


@theparisreview.org | 3 years ago

Russet, the color of peasants, fox fur, and penance

I’ve been thinking on russet lately, this color of oak and Rembrandt and austerity. Its terra-cotta earthiness fits my mood. | Continue reading


@theparisreview.org | 3 years ago

William Gaddis’s Disorderly Inferno

Told almost entirely in unattributed dialogue, William Gaddis’s ‘J R’ is not for the faint of heart and mind or the weak of concentration. | Continue reading


@theparisreview.org | 3 years ago

The Death of Max Jacob

Living his last days in a filthy, crowded, freezing prison cell, Max Jacob exercised his famous gifts. Perhaps they had never been so useful. | Continue reading


@theparisreview.org | 3 years ago