An interview with David Simon, creator of The Wire, The Deuce, and The Plot Against America. | Continue reading
On a series of PBS specials on the struggles for women to earn the right to vote. | Continue reading
A table of contents featuring all the content from Women Writers Week 2020. | Continue reading
An ode to Mona May, who designed the timeless looks of Clueless, Romy and Michele's High School Reunion, and Never Been Kissed. | Continue reading
Betty Gilpin deserves better and so do we. | Continue reading
The stories of Vitalina and Damiel are stories of outsiders. | Continue reading
Supernatural super-fan Sheila O'Malley celebrates the CW series, which is ending after its 15th season. | Continue reading
A tribute to Max von Sydow. | Continue reading
A look at the state of horror and the world through the lens of three recent genre hits. | Continue reading
A feature on how the brilliant Swallow gets OCD right. | Continue reading
An interview with director Ken Loach about the making of Sorry We Missed You. | Continue reading
A report on a new film festival driven by female creative voices. | Continue reading
An interview with adapting co-writer and director Kelly Reichardt about her new film, First Cow. | Continue reading
A Far-Flung Correspondent from Montreal reports on a daring 2001 French comedy. | Continue reading
A piece on why A Quiet Place resonates so strongly. | Continue reading
A piece looking at a brief but fascinating moment in Taika Waititi's Oscar-winning Jojo Rabbit. | Continue reading
A personal essay on how being a professional actor influences also being a professional critic. | Continue reading
A look at the Sundance award-winning Iranian film Yalda, a Night for Forgiveness. | Continue reading
An interview with Winston Duke, the star of Us, Black Panther, Spenser Confidential, and Nine Days. | Continue reading
A look at all the writers contributing to Women Writers Week 2020 at RogerEbert.com, #WWW2020. | Continue reading
There are statement dresses, and then there are statements. | Continue reading
Now at age 85, Gloria Steinem remains on the front lines—writing, speaking, marching. | Continue reading
An interview with Head of Story Kelsey Mann about the making of Pixar's Onward. | Continue reading
An article about Ari Aster's "Hereditary" screening at Ebertfest 2020, with actor Alex Wolff in attendance. | Continue reading
An introduction to Women Writers Week 2020 at Rogerebert.com, #WWW2020 | Continue reading
A review of the new Amazon Prime series Zero Zero Zero, which premieres on Friday, March 6. | Continue reading
A review of the fourth season of FX's Better Things. | Continue reading
The latest on Blu-ray and DVD includes Knives Out, Queen & Slim, Dark Waters, and Frozen II. | Continue reading
A TV review of FX's The Most Dangerous Animal of All. | Continue reading
A TV review of Devs, from the writer/director of Ex Machina and Annihilation. | Continue reading
A preview of New York City's Rendez-vous with French Cinema, starting this week. | Continue reading
Beautifully performed with searing honesty and naturalism by the entire cast, the one reassuring note is that sometimes someone like Loach is there to make sure that stories like these, people like these, are not missed, but seen. | Continue reading
A review of the new FX series Dave, premiering on Wednesday, March 4. | Continue reading
An interview with the director of Betty Feeds the Animals, and presentation of the short documentary. | Continue reading
A review of the new FX series Breeders, starring Martin Freeman and Daisy Haggard. | Continue reading
Like a lot of these films, the ideas are often better than the execution, but this one works more than most, anchored by its clever concept and the young performers committed to pulling it off. | Continue reading
A review of Netflix's I Am Not Okay with This. | Continue reading
Scout Tafoya's video essay series about maligned masterpieces celebrates the cinema of The Lonely Island. | Continue reading
An article about Spike Lee being named the first African-American Jury President in the history of the Cannes Film Festival. | Continue reading
An article about the launching of The HistoryMakers' WomanMakers Initiative. | Continue reading
It's really refreshing to watch a film where nobody has anything figured out, where life proceeds messily and imperfectly. Saint Frances is unpredictable in a very human way. | Continue reading
If you like high-toned genre movies, The Whistlers might be for you. | Continue reading
All the Bright Places may do some real good for young people feeling isolated, misunderstood and in need of help. | Continue reading
It’s hard to make a movie about annoying wanderers interesting, engaging, or realistic – three words no one would use to describe this film. | Continue reading
Director Albert Shin has the various pieces to make such a noir pop like the neon lights of its central location—Niagara Falls’ tourist strip—but it’s a mystery without much intrigue. | Continue reading
There are things here, most of them embedded in another great physical performance from Garret Hedlund, that keep Burden from completely sinking into the Carolina mud. | Continue reading
Allowing the viewer to piece things together on their own is always welcome, but the film’s desire to surprise and outwit makes it contrived. | Continue reading