On three more competition films from Sundance 2019, including one of the festival's best. | Continue reading
Even though Fighting with My Family is undoubtedly about branding the WWE as a fantasy factory, its biggest strength is in its wit and surprisingly big heart. | Continue reading
A review of three docs that played the Sundance Film Festival. | Continue reading
A tribute to the late, great Dick Miller from his biggest fan. | Continue reading
A review of two more Midnight movies from Sundance, one great and one not. | Continue reading
A review of two political films from this year's Sundance. One is great, one is not. | Continue reading
An interview with director Penelope Spheeris on her films "Suburbia" and "The Little Rascals," each receiving new Blu-ray releases. | Continue reading
A slow-burning and unexpectedly humorous character study as reflective and impenetrable as anything in Ceylan’s filmography. | Continue reading
Paddleton so gently reminds us that we’re always running out of time to see each other, talk to each other and quote our favorite movies to each other. | Continue reading
A review of three horror films from the Sundance 2019 Film Festival. | Continue reading
A 2019 Ebert Fellow on the opening night film, Native Son. | Continue reading
A review of Gurinder Chadha's Bruce Springsteen-inspired "Blinded by the Light," which had its world premiere Sunday night at the Sundance Film Festival. | Continue reading
An interview with film critic Jonathan Rosenbaum about his new two-volume book collection, Cinematic Encounters. | Continue reading
A report on two timely, urgent films from the U.S. Doc Comp section. | Continue reading
On three bio-docs from Sundance about David Crosby, Leonard Cohen, and Anton Yelchin. | Continue reading
A review of TNT's "I Am the Night." | Continue reading
Reviews of three character-driven U.S. Dramatic competition films that had their world premieres at the Sundance Film Festival. | Continue reading
An interview with Julius Onah, director/co-writer of "Luce." | Continue reading
You know how a painting can look totally different depending on the angle from which you're viewing it? The same thing is going to happen with “Velvet Buzzsaw,” and I think that’s exactly how Dan Gilroy wants it. | Continue reading
An article about START TV's My Start Story campaign. | Continue reading
A table of contents for all of our Sundance 2019 coverage. | Continue reading
You can feel the excitement that Soderbergh gets from experimenting with a new form of filmmaking. | Continue reading
Reviews of two vastly different crowd-pleasers that premiered at Sundance, Troop Zero and Give Me Liberty. | Continue reading
Dušan Makavejev used film as a ladder to climb the mental prison walls that he believed imprisoned so many others. | Continue reading
A Sundance 2019 dispatch featuring reviews of "Dolce Fine Giornata," "Divine Love," "Monos," "Queen of Hearts." | Continue reading
Dušan Makavejev used film as a ladder to climb the mental prison walls that he believed imprisoned so many others. | Continue reading
A review of two Saturday night Premieres from Sundance. | Continue reading
A review of two more Sundance competition films from 2019. | Continue reading
A review of two premieres from Sundance, including films starring Emma Thompson and Hillary Swank. | Continue reading
A review of three comp films from the first full day of Sundance 2019. | Continue reading
It becomes frustrating to see Cronin populate his genre film with more and more familiar elements, handling them as mere jump scare material and without adding a signature of his own. | Continue reading
Reviews of three documentaries that premiered at Sundance on Friday evening. | Continue reading
The Boy Who Harnessed The Wind is one of those true-story films that genuinely earns the inevitable, climactic triumph in its finale. | Continue reading
An interview with Jennifer Kent, writer/director of "The Nightingale." | Continue reading
Serenity is terrible and insane, and will surely end up being one of the worst films of 2019. | Continue reading
Another free-associative cinematic meditation on language, the image, and extinction, by a master of the form. | Continue reading
Though their names are in the title, the real stars of “Breslin and Hamill: Deadline Artists” are the words they wrote. | Continue reading
King of Thieves is a disappointing mess that lacks both suspense and a clear identity. Not even the occasional joy of seeing these fine actors riff with one another can save it. | Continue reading
A film like The Invisibles is part of bearing "precise witness." We clearly need reminders, and constant ones, of the end result of "otherizing" an entire group of people. | Continue reading
A gross, stupid and relentlessly ugly film from start to finish, this may not be the absolute bottom of the barrel in terms of Netflix Originals but nothing else worthy of that title immediately springs to mind. | Continue reading
Anton Yelchin's parents speak out; 80th anniversary of "The Wizard of Oz"; R.I.P. Stephen Reinhardt; "Vice" and the creation of historical narratives; Aaron Sorkin on William Goldman. | Continue reading
A review of Netflix's "Black Earth Rising." | Continue reading
The newest on Blu-ray and streaming, including First Man and The Hate U Give. | Continue reading
Chaz Ebert shares her thoughts on the highs and the lows of the 2019 Academy Award nominations . | Continue reading
A preview of the 2019 Sundance Film Festival. | Continue reading
A review of Resident Evil 2, Capcom's must-play for an entirely new generation. | Continue reading
An article confirming the Ebert Fellows for the Sundance Institute selected for covering the Sundance Film Festival, January 24-February 3, 2019. | Continue reading
The Kid Who Would Be King is good where it counts most. | Continue reading